ÿþ<head> <html> <title/> Curriculum Vitae of Charles R. Forker </title> <body> <body bg="light blue"> <p> <h2> Curriculum Vitae <br> <b> Charles R. Forker </b> </p> </h2> <IMG SRC="CV-photo.jpg"> <p> Updated September 30, 2008 </p> <h3> <p> Return to <A HREF= http://www.guildofscholars.org > Main Page </A> <p> </h4> <h4> <p> <b> Birth </b>: March 11, 1927, in Pittsburgh, Pennsylvania </p> <p> <b> Military Experience </b> : U.S. Army Medical Corps (June 1945-January 1947) </p> <p> <h3> <font color="red"> <b>Education</b> </h3> </font color> : <ul> <li> Western Reserve Academy, graduated 1945 <li> <A HREF="http://www.bowdoin.edu"> Bowdoin College <A?, A.B., 1951 <br> <li> Merton College, Oxford University. B.A., 1953, M.A., 1955 <br> <li> <A HREF="http://www.harvard.edu"> Harvard University </A>, Ph.D., 1957</ul> </p> <br> <p> <b> Teaching: </b> <ul> <li> Teaching Fellow, Harvard University (Resident Tutor, Kirkland House), 1955-1957 <li> Instructor, University of Wisconsin, 1957-1959 <li> Instructor, <A HREF=""http://www.indiana.edu"> Indiana University <A>, 1959-1961 <li> Assistant Professor, Indiana University, 1961-1965 <li> Associate Professor, Indiana University, 1965-1968 <li> Professor, Indiana University, 1968-1992 <li> Professor Emeritus, Indiana University, 1992- <li> Visiting Professor, University of Michigan, 1969-1970 <li> Visiting Professor, Dartmouth College, 1982-1983 <li> Visiting Professor, Concordia University, Montreal, Quebec, 1989 <ul> </p> <p> <b> Honors </p> </b>: <ul> <li> Phi Beta Kappa, Bowdoin, 1950 <li> Honors in English, Magna Cum Laude, Bowdoin, 1951 <li> Fulbright Fellowship (to England), 1951-1953 <li> Graduate Fellowship, Harvard, 1953-1954 <li> Shakespeare Prize, Harvard, 1955 <li> Folger Fellow, 1963 (Summer) <li> ACLS Grant-in-aid, 1965 <li> Huntington Library Fellow, 1969 (Summer) <li> Several Indiana University summer research fellowships <li> NEH Senior Research Fellow, Huntington Library, 1980- 1981 </ul> <br> <h3> Organizations:</h3> <ul> <li> Modern Language Association (editorial reader) <li> <A HREF="www.shakespearesociety.org"> Shakespeare Society of America </A> <li> International Shakespeare Association <li> American Association of University Professors <li> Renaissance Society of America <li> <A HREF="http://ies.sas.ac.uk/malone/index.htm"> The Malone Society </A> <li> <A HREF="http://www.marlowe-society.org"> The Marlowe Society </A> <li> World Centre for Shakespeare Studies (member of advisory board) <li> Member of Advisory Board, <i> Hamlet Studies </i> <li> Member of Board of Editors, <i> Medieval and Renaissance Drama in England </i> <li> <A HREF= http://www.guildofscholars.org > Guild of Scholars of the Episcopal Church </A> (President, 1992-98) <br> <h2> <font color= brown"> PUBLICATIONS </font color> </h3> <br> <p> <h3> Books:</p> </h3> <p> Critical edition of <i> The Cardinal </i> by James Shirley (old-spelling edition with introduction, critical apparatus, and commentary). Bloomington, Ind.: Indiana University Press, 1964.</p> <p> Edition of Shakespeare ' s <i> Henry V </i> , The Blackfriars Shakespeare. Dubuque, Iowa: Wm. C. Brown, 1971.</p> <p> <i> Edward Phillips ' s History of the Literature of England and Scotland : A Translation from the Compendiosa Enumeratio Poetarum </i> with an Introduction and commentary (with Daniel G. Calder). Universit`t Salzburg, Salzburg, Austria, 1973.</p> <p> <i> Henry V: An Annotated Bibliography </i> (with Joseph Candido). The Garland Shakespeare Bibliographies, No. 4. New York, Garland Press, 1983.</p> <p> <i> Skull Beneath the Skin: The Achievement of John Webster.</i> Carbondale, Ill.: Southern Illinois University Press, 1986.</p> <p> <i> Fancy ' s Images: Contexts, Settings, and Perspectives in Shakespeare and His Contemporaries </i> . Carbondale, Ill.: Southern Illinois University Press, 1990.</p> <p> <i> Edward the Second </i> by Christopher Marlowe. The Revels Plays (a critical edition with introduction, textual apparatus, running commentary, and analysis of the sources). Manchester and New York: Manchester University Press, St. Martin ' s Press, 1994.</p> <p> <i> Shakespeare: The Critical Tradition: Richard II 1780-1920 </i> . London and Atlantic Highlands, N.J.: Athlone Press, 1998.</p> <p><i> King Richard II </i> by William Shakespeare (a critical edition with introduction and commentary). Arden Shakespeare, Series 3. London: Thomson Learning, 2002.</p> <p> <h3> <font color="teal"> </h3> </p> Major Articles:</h3> </font color> </p> <h4> <p> <i>A Midsummer Night's Dream </i> and Chapman's Homer," <i> Notes & Queries,</i> V (December 1958), 524.</p> <p>"Archbishop Laud and Shirley's <i>The Cardinal</i> ," <i> Transactions of the Wisconsin Academy of Sciences, Arts, and Letters, </i> (1959), 241-251.</p> <p>"Shirley's <i> The Cardinal </i> : Some Problems and Cruces," <i> Notes & Queries, </i> 6 (June 1959), 232-233.</p> <p>"Tennyson's `Tithonus' and Marston's ,i> Antonio's Revenge,</i> " <i> Notes & Queries </i> , 6 (December 1959), 445.</p> <p>"The Language of Hands in <i>Great Expectations</i> ," <A HREF="http://www.utexas.edu/utpress/journals/jtsll.html">Texas Studies in Literature and Language </A>, 3 (1961), 280-293.</p> <p> A biographical sketch of Harry Levin (written with Alfred David) <i> Yearbook of Comparative and General Literature </i> , No. 11 (1962),116-117.</p> <p>"Shakespeare's Theatrical Symbolism and its Function in <i> Hamlet</i> ," Shakespeare Quarterly, 14 (1963), 215-229.</p> <p>"Shakespeare's Histories and Heywood's <i>If You Know Not Me, You Know Nobody</i> ," <i> Neuphilologische Mitteilungen </i> , 66 (1965), 166-178.</p> <p>"Shakespeare's Chronicle Plays as Historical-Pastoral, <i> Shakespeare Studies, 1</i> (1965), 85-104.</p> <p>"Robert Baron's Use of Webster, Shakespeare, and Other Elizabethans," <i> Anglia </i> , 83 (1965), 176-198.</p> <p> Two Notes on John Webster and Anthony Munday: Unpublished Entries in the Records of the Merchant Taylors," <I> English Language Notes </i> , 6 (1968), 26-34. <p>"Wit's Descant on Any Plain Song: The Prose Characters of John Webster," <A HREF= http://depts.washington.edu/mlq/aboutmlq/about_main.html > Modern Language Quarterly </A> , 30 (1969), 33-52.</p> <p>"A Possible Source for the Ceremony of the Cardinal's Arming in <i> The Duchess of Malfi" </i> , in <i> Anglia </i>, <i> </i> 87 (1969), 398-403.</p> <p>"Shakespeare's Theatrical Symbolism and its Function in <i> Hamlet</i>." The 1963 article anthologized in J. L. Calderwood and H. E. Toliver, eds., <i> Essays in Shakespearean Criticism </i> (Englewood Cliffs, N. J.: Prentice-Hall, 1970), pp. 441-458.</p> <p>"Stephen Taylor's <i> A Whippe for Worldlings </i> <i> The Library </i> , 25 (1970), 338-344.</p> <p>"Shakespearean Imitation in Act V of Middleton's <i> Anything for a Quiet Life </i> ," <A HREF= http://www.siue.edu/PLL/ > Papers in Language and Literature </A> , 7 (1971), 75-80.</p> <p>"John Webster" (a review essay on Fernand Lagarde, John Webster, <i> Etudes Anglaises </i> , 25 (1972), 286-289.</p> <p>"Love, Death, and Fame: The Grotesque Tragedy of John Webster," <i> Anglia </i> , 91 (1973), 194-218.</p> <p>"Milton and Shakespeare: The First Sonnet on Blindness in Relation to a Speech from <i> Troilus and Cressida </i> " <I> English Language Notes,</i> 11 (1974), 188-192.</p> <p><i> "Wit Without Money</i> : A Fletcherian Antecedent to <i> Keep the Widow Waking,</i> " <A HREF= http://www.wmich.edu/compdr/ >Comparative Drama </A> , 8 (1974), 172-183.</p> <p>"The Love-Death Nexus in English Renaissance Tragedy," Shakespeare Studies, 8 (1975), 211-230.</p> <p>"Nathanael Richards's <i> Messalina</i>and <i> The Duchess of Malfi</i> ," <i> Notes & Queries</i> , n.s. 23 (1976), 221-222; reprinted (with corrections) <i> Notes & Queries</i> , n.s. 23 (1976), 546.</p> <p>"Cyril Tourneur," a chapter in <i> The New Intellectuals </i> , ed. Terence P. Logan and Denzell S. Smith (Lincoln: University of Nebraska Press, 1977), pp. 248-280.</p> <p> <i> Northward Ho</i> and <i> The Duchess of Malfi</i> , I.i.88 and III.v.105-106," <i> Studies in English and American Literature: A Supplement to "American Notes and Queries </i> " ed. John L. Cutler and Lawrence S. Thompson (Troy, N.Y.: Whitston Publishing, 1978), pp. 81-84.</p> <p>"Immediacy and Remoteness in <i> The Taming of the Shrew </i> and <i> The Tempest </i> , in <i> Shakespeare's Romances Reconsidered </i> , ed. Carol McGinnis Kay and Henry E. Jacobs (Lincoln: University of Nebraska Press, 1978), 134-148.</p> <p>"Shakespeare's Rosalind," an excerpt from the Yoder Memorial Lecture (on <i> As You Like It </i> ) delivered at Goshen College and published as a "Broadside" by the Pinchpenny Press, Goshen, Indiana (1978).</p> <p><i> Hamlet </i> Viewed from San Francisco," an essay-report on the two <i> Hamlet </i> seminars conducted at the 1979 meeting of the Shake- speare Association of America, <i> Hamlet </i> Studies, 1 (1979), 129-133 </p> <p> Ficino's Concept of Participation in Shakespeare's Sonnets: A Dialogue" (with James A. Devereux), <i> The Upstart Crow,</i> 2 (1979), 18-33.</p> <p> "All the World's a Stage: Multiple Perspectives in Arden," <i> Iowa State Journal of Research </i> , 54 (1980), 421-430.</p> <p> "Wit, Wisdom, and Theatricality in <i> The Booke of Sir Thomas More </i> (with Joseph Candido), <i> Shakespeare Studies</i>, 13 (1980), 85-104.</p> <p> "<i> Westward Ho </i> and <i> Northward Ho </i> : A Revaluation ," <i> Papers of the Arkansas Philological Association </i> , 6:2 (1980), 1-42.</p> <p> "<i> Titus Andronicus </i> , <i> Hamlet</i> , and the Limits of Expressibility," <i> Hamlet Studies </i> , 2 (1980), 1-33.</p> <p> "<i> The Maid's Tragedy </i> and Jonson's Epitaph `On My First Daughter'," <i> Notes & Queries </i> , 30 (1983), 151.</p> <p> "Symbolic Staging in Shakespeare and Its Importance to the Classroom," <i> Rocky Mountain Review of Language and Literature </i> , 38 (1984), 3-11.</p> <p> "Shakespeare at the Naval Academy, 1983" (review of a production of <i> 1 & 2 Henry IV </i> at the U. S. Naval Academy, Annapolis, Maryland), <i> Shakespeare Quarterly </i> , 35 (1984), 100-102.</p> <p> "The Idea of Time in Shakespeare's Second Historical Tetralogy," <i> The Upstart Crow </i> 5 (1984), 20-34.</p> <p> "The Green Underworld of Early Shakespearean Tragedy," <i> Shake- speare Studies</i> , 17 (1985), 25-47.</p> <p> "Shakespeare's Chronicle Plays as Historical-Pastoral" (the 1965 essay partially reprinted in Laurie Lanzen Harris and Mark W. Scott, eds., <i> Shakespearean Criticism </i> Detroit: Gale Research Co., 1986], III, 97-100. </p> "`Three Fair Medals Cast in One Figure': <i> Discordia Concors</i> As a Principle of Chracterization in <i> The Duchess of Malfi," </i> <i> Iowa State Journal of Research</i> , 61 (1987), 373-381.</p> <p> Abstract rpt. in <i> Seventeenth-Century News</i> , 45 (1987), 59.</p> "<i> Hamlet</i> in the Ozarks--an Overview," <i> Hamlet Studies </i>, 9 (1987), 101-105.</p> <p> <IMG SRC="ffolio.jpg"> <br> "Webster and Barnes: The Source of the Ceremony of the Cardinal's Arming in <i> The Duchess of Malfi </i>," <i> Anglia </i>, 106 (1988), 415-420.</p> <p> "Webster or Shakespeare? Style, Idiom, Vocabulary, and Spelling in the Additions to <i> Sir Thomas More </i>," in T. H. Howard-Hill, ed., <i> Shakespeare and "Sir Thomas More": Essays on the Play and Its Shakespearean Interest </i>(Cambridge: Cambridge University Press, 1989), pp. 151-170.</p> <p> "A Little More Than Kin, and Less Than Kind": Incest, Intimacy, Narcissism, and Identity in Elizabethan and Stuart Drama," <i> Medieval and Renaissance Drama in England </i>, 4 (1989), 13-52.</p> <p> "Sexuality and Eroticism on the Renaissance Stage," <i> South Central Review</i> , 7.4 (1990), 1-22.</p> <p> "All the World's a Stage: Multiple Perspectives in Arden," rpt. in Harold Bloom, ed., <i> Major Literary Characters: Rosalind </i> (New York: Chelsea House, 1992), pp. 106-115.</p> <p> "The Religious Sensibility of Richard Crashaw," <i> In-Between: Essays and Studies in Literary Criticism </i> (University of Delhi), I, 1 (March 1992), 57-76.</p> <p> "Negotiating the Paradoxes of Art and Nature in <i> The Winter's Tale</i> ," in Maurice Hunt, ed., <i> Approaches to Teaching Shakespeare's "The Tempest" and Other Late Romances </i> (New York: Modern Language Association, 1992), pp. 94-102.</p> <p> Plague and Hospitality: Historical Reconstructions, a review- essay of Leeds Barroll, <i> Politics, Plague, and Shakespeare's Theater: The Stuart Years </i>(Ithaca: Cornell University Press,< 1991) and Daryl W. Palmer, <i> Hospitable Performances: Dramatic Genre and Cultural Practices in Early Modern England </i> (West Lafayette: Purdue University Press, 1992),<i> Research Opportunities in Renaissance Drama </i>, 33 (1994), 15-29.</p> <p> Review-essay of Phyllis Rackin, <i> Stages of History: Shakespeare's English Chronicles </i>; Donald G. Watson,<i> Shakespeare ' s Early History Plays: Politics at Play on the Elizabethan Stage </i>; and Larry S. Champion, <i> The Noise of Threatening Drum : Dramatic Strategy and Political Ideology in Shakespeare and the English Chronicle Plays</i> in <i> The Opera and Shakespeare</i> , ed. Holger Klein and Christopher Smith (<i> Shakespeare Yearbook</i> , 4 [1994]), 356-369. </p> <p> Marlowe's <i> Edward II </i> and its Shakespearean Relatives: The Emergence of a Genre in John W. Velz, ed., <i> Shakespeare's English Histories: A Quest for Form and Genre</i> , Medieval & Renaissance Texts & Studies (Binghamton, N. Y., 1996), pp. 55-90.</p> <p> `Masculine Love,' Renaissance Writing, and the `New Invention' of Homosexuality: An Addendum in <i> Journal of Homosexuality </i> , 31. (1996), 85-93.</p> <p> Horace Howard Furness, <i> American National Biography </i> , 24 vols., 8 (Oxford and New York: Oxford University Press, 1999), pp. 587-88.</p> <p> John Webster , biographical article in <i> Encyclopedia of the Renaissance </i> , gen. ed. Paul F. Grendler (New York: Charles Scribner's Sons, 1999), VI, 299-300.</p> <p> Unstable Identity in Shakespeare's <i> Richard II</i> , <i> Renascence</i> , 54.1 (Fall, 2001), 3-22. </p> <p> Shakespeare's Chronicle Plays as Historical-Pastoral, <i> Shakespeare Studies</i> , 1 (1965), 85-104; the 1965 essay reprinted in Literature Criticism from 1400 to 1800, Vol. 89 (2003), 56-67.</p> <p> Shakespeare's Theatrical Symbolism and its Function in <i> Hamlet </i> , the 1963 essay reprinted in <i> Shakespearean Criticism,</i> vol. 71 Detroit, Mich.: Gale Research Co., 2003), 000-000.</p> <p> Violent Reaction and Involuntary Reminiscence, a comparison of <i> Richard II </i> and <i> Edward II</i> ,<i> Around the Globe </i> [the magazine of Shakespeare's Globe], 24 (Summer 2003), 35-37.</p> <p> <i> Richard II </i> & <i> Edward II</i> , program notes for a production of <i> Richard II </i> at Shakespeare's Globe Theatre: The Season of Regime Change 2003, p. 11. Also performed at Middle Temple Hall with separate program, p. 11.</p> <p> Regime Change at Shakespeare's Globe, a review-essay of productions of <i> Edward II </i> and <i> Richard II,</i> <i> Shakespeare Newsletter </i> 53:3 No. 258 (Fall 2003), 71, 82. </p> <p> Shakespeare's Theatrical Symbolism and its Function in <i> Hamlet </i> , <i> Shakespeare Quarterly</i> , 14 (1963), 215-229; revised article from <i> Fancy's Images</i> (1990), pp. 3-5, reprinted in Harold Bloom,ed., <i> Bloom's Guides: William Shakespeare's <b>Hamlet <b></i>. (Philadelphia: Chelsea House, 2004), pp. 63-67.</p> <p> Spilling Royal Blood: Denial, Guilt and Expiation in Shakespeare ' s Second Historical Tetralogy, in Beatrice Batson, ed.,<i> Shakespeare's Second Historical Tetralogy: Some Christian Features </i> (West Cornwall, Conn.: Locust Hill Press, 2004), pp. 107-128. </p> <p> Three articles on Richard Bellewe, Robert Chester, and Sir Francis Hubert in <i> The Dictionary of National Biography </i> (Oxford: Oxford University Press, 2004).</p> <p> </i> 'John Webster s Handbook of Model Letters: A Study in Attribution,' Medieval and Renaissance Drama in England, 19 (2006), 45-118.'  Marlowe s Edward II and The Merchant of Venice,' <i>Shakespeare Newsletter </i> , 57.2. No. 272 (Fall, 2007), 65, 70. 'The State of the Soul and the Soul of the State: Reconciliation in the Two Parts of Shakespeare s Henry IV,' ,i> Studies in Medieval and Renaissance Histor ,/i> y, 4 (2007), 289-313. 'The State of the Soul and the Soul of the State: Reconciliation in the Two Parts of Shakespeare s Henry IV,' reprinted in Beatrice Batson, ed., ,i> Reconciliation in Selected Shakespearean Dramas </i> (Newcastle: Cambridge Scholars Publishing, 2008), pp. 19-42. <p> &quot;Royal Carnality and Illicit Desire in the English History Plays of the 1590s,in John Pitcher and Susan Cerasano, eds., <A HREF="http://books.google.com/books?hl=en&id=VN6WMw0bd6oC&dq=pitcher+cerasano&printsec=frontcover&source=web&ots=QViUi4_tFu&sig=T-PKPjxXuO2Qc9isCBnyxfzP4Tc&sa=X&oi=book_result&resnum=1&ct=result"> Medieval and Renaissance Drama in England </A>, volume 15, 2005. </p> <p> &quot; An Essay on Shakespeare's Sonnet No. 12" for <A HREF="www.greenwood.com/catalog/GR2779.aspx"> The Greenwood Companion to Shakespeare </A>, ed. Joseph Rosenblum, 4 volumes, Greenwood, 2005. 2005.<p> 'How Did Shakespeare Come by His Books?, in <i> The Shakespeare Yearbook (2003) </i> .</p> <p> 'From Political Revolution to Apocalypse: <i> Richard II </i> as a Precursor of <i> King Lear </i>, a publication of the University of Caen. </p> <p> <h3> REVIEWS </h3> <ul> <li> Review of Gunnar Boklund, <i> <b> The Duchess of Malfi":</b> Sources, Themes, Characters, Journal of English and Germanic Philology </i>, 63 (1964), 353-356. <li> Review of G. B. Harrison, ed., <i> The Harbinger Shakespeare, Shakespeare Quarterly </i>, 17 (1966), 90-91. <li> Review of John Russell Brown, ed., <i> The Duchess of Malfi, Modern Philology </i>, 64 (1966), 157-160. <li> Review of Don D. Moore,<i> John Webster and His Critics, 1617-1964, Shakespeare Studies </i>, 3 (1967), 298-302. <li> Review of David L. Frost, <i> The School of Shakespeare, Shakespeare Studies </i>, 5 (1969), 325-329. <li> Review of Thelma N. Greenfield, <i> The Induction in Elizabethan Drama, Modern Philology </i>, 60 (1972), 63-66. <li> Review of Peter Murray, <i> A Study of John Webster, Modern Language Quarterly </i>, 33 (1972), 191-195. <li> Review of Peter Saccio, <i> The Court Comedies of John Lyly, Revue Belge </i>, 50.4 (1972), 1257-1260. <li> Review of Arthur C. Kirsch,<i> Jacobean Dramatic Perspectives, English Language Notes </i>, 11 (1974), 217-222. <li> Review of H. J. Oliver, ed., <i> The Merry Wives of Windsor, Shakespeare Studies </i>, 8 (1975), 419-425. <li> Review of Richard Fly, <i> Shakespeare's Mediated World, Comparative Drama </i>, 11 (Winter, 1977-78), 347-350. <li> Review of G. B. Evans, ed., <i> Shakespeare: Aspects of Influence Shakespeare Quarterly </i>, 29 (1978), 431-434. <li> Review of Wilson F. Engel, ed., James Shirley's <i> The Gentleman of Venice, Yearbook of English Studies </i>, 9 (1979), 332-333. <li> Review of Larry S. Champion, <i> Tragic Patterns in Jacobean and Caroline Drama, Shakespeare Studies </i>, 12 (1979), 295-300. <li> Review of Ralph Berry,<i> The Shakespearean Metaphor, Modern Philology </i>, 78 (1980), 80-84. <li> Review of M. C. Bradbrook, <i> John Webster: Citizen and Dramatist, Modern Language Quarterly </i>, 42 (1981), 294-297. <li> Review of Renate Stamm, <i> The Mirror-Technique in Senecan and Pre-Shakespearean Tragedy, Revue Belge de Philologie et d'Histoire </i>, 60 (1982), 742-744. <li> Review of Susan Snyder,<i> The Comic Matrix of Shakespeare's Tragedies: "Romeo and Juliet," "Hamlet", "Othello," and "King Lear," Hamlet Studies </i>, 4 (1982), 118-123. <li> Review of James E. Hirsh,<i> The Structure of Shakespearean Scenes, Rocky Mountain Review of Language and Literature </i>, 37 (1983), 108-111. <li> Review of Jacqueline Pearson, <i> Tragedy and Tragicomedy in the Plays of John Webster, Medieval and Renaissance Drama in England </i>, 1 (1984), 275-278. <li> Review of Michael J. B. Allen and Kenneth Muir, eds., <i> Shakespeare's Plays in Quarto: A Facsimile Edition of Copies Primarily from the Henry E. Huntington Library, Hamlet Studies </i>, 6 (1984), 128-131. <li> Review of Lee Bliss, <i> The World's Perspective: John Webster and the Jacobean Drama, Medieval and Renaissance Drama in England </i>, 2 (1985), 296-199. <li> Review of Jonathan Dollimore and Alan Sinfield, eds., <i> Political Shakespeare: New Essays in Cultural Materialism, Medieval and Renaissance Drama in England </i>, 3 (1986), 310-315. <li> Review of Joseph H. Summers, <i> Dreams of Love and Power: On Shakespeare's Plays, Shakespeare Quarterly </i>, 37 (1986), 534-536. <li> Review of Theodore B. Leinwand,<i> The City Staged: Jacobean Comedy, 1603-1613, Modern Language Quarterly </i>, 47 (1986), 436-441. <li> Review of Jane Donawerth, <i> Shakespeare and the Sixteenth-Century Study of Language, Journal of English and Germanic Philology </i>, 86 (1987), 99-103. <li> Review of John E. Van Domelen, <i> Tarzan of Athens: A Biographical Study of G. Wilson Knight, Seventeenth-Century News </i>, 46 (1988), 44-46. <li> Review of Brian Vickers,<i> Returning to Shakespeare, Shakespeare Yearbook </i>, 2 (1991), 248-250. <li> Review of Julia Gasper, <i> The Dragon and the Dove: The Plays of Thomas Dekker, Seventeenth-Century News </i>, 50.3-4 (1992), 55-56. <li> Review of Maurice Charney, ed., <i> Bad Shakespeare: Revaluations of the Shakespeare Canon, Shakespeare Studies </i>, 22 (1993), 257-270. <li> Review of Sara Jayne Steen,<i> Ambrosia in An Earthen Vessel: Three Centuries of Audience and Reader Response to the Works of Thomas Middleton in Seventeenth-Century News,</i> 53.1-2 (1995), 4-6. </i> <li> Review of R. B. Parker, ed., <i> The Tragedy of Coriolanus in University of Toronto Quarterly </i>, 65 (Winter 1995/6), 187-91. <li> Review of David M. Bergeron, Drama in Royal Family, Royal Lovers: King James of England and Scotland </i> in Medieval and Renaissance England </i>, 8 (1996), 235-41. <li> Review of Laurie E. Maquire and Thomas L. Berger, eds.,<i> Textual Formations and Reformations </i> (Newark: University of Delaware Press, 1998) in <i> Shakespeare Quarterly </i>, 51 (2000), 367-71. 19 <li> Review of Bruce R. Smith, <i> Shakespeare and Masculinity </i>, Oxford Shakespeare Topics series (Oxford: Oxford University Press, 2000), in <i> Medieval and Renaissance Drama in England, </i>15 (2003), 326-30. <li> <i> Rogues and Early Modern English Culture </i>, ed. Craig Dionne and Steve Mentz (Ann Arbor: University of Michigan Press, 2004), in Shakespeare Studies, 35(2007), 241-48. </ul> <h3> COURSES TAUGHT </h3> <p> UNDERGRADUATE</p> <i> </i> <p> <ul> <li> Interpretation of Literature (Poetry, Drama, Fiction)--Indiana University <li> Masterpieces of World Literature (Classical, Medieval, Renaissance, Modern)--Indiana University <li> Introduction to Chaucer--Indiana University <li> Survey of English Literature (Beowulf to contemporary authors) --Univ. of Wisconsin, Indiana University <li> Readings in the Literature of Narcissism--Indiana University <li> Introduction of Shakespeare--Univ. of Wisconsin, Indiana University, Univ. of Michigan, Dartmouth. <li> Early Plays of Shakespeare--Indiana University, Univ. of Wisconsin. <li> Later Plays of Shakespeare--Indiana University, Univ. of Wisconsin <li> Honors seminar in Shakespeare--Indiana University, Dartmouth. <li> Elizabethan and Jacobean drama--Indiana University, Dartmouth. <li> Honors seminar in the Tudor-Stuart Revenge Play--Indiana University <li> The Metaphysical Poets--Indiana University <li> Introduction to Drama (Classical, Medieval, Renaissance, Restoration, Eighteenth-Century, Nineteenth-Century, Twentieth-Century)--Indiana University <li> Honors seminar in Marlowe and Webster--Indiana University</ul> </p> <p> <b> GRADUATE </b> <p> <br> <p> <ul> <li> Major Plays of Shakespeare--Indiana University <li> Minor Plays and Poems of Shakespeare--Indiana University <li> Survey of Elizabethan and Stuart Drama--Indiana University <li> Research Seminar in Shakespeare (various topics)--Indiana University, Concordia (Montreal). <li> Research Seminar in Elizabethan and Stuart Drama (various topics)--Indiana University</ul> </p> <p> PH.D DISSERTATIONS DIRECTED (twenty-seven). Have served on committees of many other dissertations (mostly Indiana University, a few at Univ. of Toronto) </p> <p> <h4> <p> Return to <A HREF="http://www.guildofscholars.org"> Main Page </A> <p> </h4> <p> Design by <A HREF="http://www.commitmenthomepage.org"> Nicholas Birns </A> </p> </html> </body> </html> _